This studio course was based using familial forms (instruments,
landmarks, game pieces, etc.) to develop and explor form making.
Conceptually, the work was rooted in a study based on a societal issue.
I chose to study the problematic relationship of the Indigenous
community and the rest of the city. Concept was to also be derived
from a precedent study of an alternative living framework/community.
I chose to study monasteries. My familial form was using instruments to
drive my form.