This studio course was based using familial forms (instruments, landmarks, game pieces, etc.) to develop and explor form making. Conceptually, the work was rooted in a study based on a societal issue. I chose to study the problematic relationship of the Indigenous community and the rest of the city. Concept was to also be derived from a precedent study of an alternative living framework/community. I chose to study monasteries. My familial form was using instruments to drive my form.